Housing Works Gala Opening

Last week, Housing Works, an organization that combats AIDS and homelessness primarily through initiatives funded by their wonderful upscale thrift shops in New York, hosted a gala opening of their newest store in Hell’s Kitchen. Typically, I leave the nightlife reporting to others but for fashion and style this was, pardon the pun, one-stop-shopping.

Event host, lifestyle guru Derek Warburton of DerekLovesShopping.com helped bring in a number of notables. Attendees included Ramona Singer, Alex McCord and husband Simon Vanderkamp of The Real Housewives of New York. There was a plethora of clothing designers, including Marisol Deluna, Loris Diran, Philip Estrada, Kristine Elezaj, Jack Mackenroth, Malan Breton, Kevin Christiana, Allison Parris, Anthony Keegan, John Bartlett, Project Runway’s Epperson Rod and hat designer to the stars, Rod Keenan. Also included was Bravo’s host, Andy Cohen and singer Kristine Elezaj.

With all these talents in one place, how could there not be some interesting styles? Given limitations of space, more images are posted on Facebook, but here are some of my favorites… 

Designer Marisol Deluna in her own design with a beautiful print and silhouette.

Alex McCord and husband Simon Vanderkamp

A stunning Jessica Carroll

Rod Keenan, whose hats have been worn by numerous celebrities such as Johnny Depp, Steven Tyler, Brad Pitt and Britney Spears and have appeared in movies such as Austin Powers, Charlie's Angles and Shaft.

With host, Derek Warburton

...even the media looked great (Kristen Colapinto from Fashion News Live)

Seen On the Street- Soho

I love this shot! I can't put my finger on any one thing that makes all this work so well, it's just fun and very New York. The shoes, rolled jeans, leather jacket with the detailing and it doesn't hurt  she's simply gorgeous. The Starbucks in one hand and the smoke in the other gives her a nonchalance and non-PC feel that's refreshing. 

I feel a little guilty putting this one up as I have a month worth of stories and profiles in the works... I just shot this and had the itch to put it up right away, so here it is! Hope it grabs you like it did me.


~Michael

A Little Different

In New York, you come across some looks that are a bit different than you'll find anywhere else. From the beginning I've always had a policy of not saying anything negative or derogatory about anyone I shoot. Some will find the looks to be cool, others just odd. The common denominator is that it's a style, a personal style unique to themselves. I find that having a personal style, even to an extreme, is better than not trying (jeans, t-shirts and general sloppiness doesn't count as a "style" for these purposes). That said, I've decided to start a new category when I find those looks that make you do a double-take for their outlandishness.We'll simply call it "A Little Different".

Presence

Enjoying a beautiful day in New York, Michael is dressed in Lord Willy's (a wonderful boutique) in Nolita. A native of London but New Yorker for the last 18 years, he has maintained that wonderful English bespoke look that is all too rare. There's a tremendous  presence about him that commands admiration with exquisite detailing, colors and a classical, timeless look of his style.

Radiance

Up and coming model, Lauren Folly. An absolute joy, free-spirited and absolutely radiant. Every image is a keeper as is she.

Random Sartorial Gleanings

A number of people have asked me what I thought of the Oscars. To be honest, a bit uninspired by it all. For months we’ll be seeing images of what everyone (particularly the ladies) was wearing. I know I didn’t see them all but I would have to say one of my favorites was Jennifer Lopez in Armani Prive. Score another for the designer who isn’t buying off the celebs and has enough sense to impose minimal standards for models  so he’s part of the solution and not the problem.

I do like Armani. He doesn’t drastically change his collections every season, he sticks with the basics and makes small changes. Really, let’s think about designers drastically changing their collections year-in, year-out. What are they saying? “Our collection last year was so bad (again), we had to scrap it and start over”? I know they’re probably trying to make a statement to impress the otherwise bored fashion press with their antics, but some get so carried away its more circus than fashion.

From what I’ve seen, it looks like Milan is the winner again over New York, London and Paris. They just seem to take it more seriously and show clothes that are wearable with pleasing silhouettes, fabrics and drape. Maybe they should consider letting Milan Fashion Week go longer than a weekend. They’ve earned it. Take the time from the French, they seem to have too much of it on their hands.

Men at the Oscars, or anywhere else that the dress is “formal”. Gentlemen, formal “black-tie” means wear a tux, a black bow-tie, a formal shirt with studs and cufflinks and black (preferably patent-leather) shoes. Why on earth is that so difficult? It’s a statement enough that you’re there, don’t try to make one by showing your insecurities and need to be different by disrespecting your host. Feel free to make an ass out of yourself the other 364 days of the year.

Have I mentioned one of my favorite sports is perusing consignment, vintage and thrift shops? Love it. It’s like a treasure-hunt. There’s a bit of a sliding scale depending on the type of shop it is. Higher-end consignment shops tend to have near mint condition clothes that are stylish and great quality. For that you pay a bit more compared to say, thrift shops or wherever clothes are donated. I got into this habit about 10 years ago. Living on the Upper-East side in Manhattan, I lived across the street from a consignment shop called “Gentleman’s Resale”. Next door was “Designer’s Resale”, which was for the ladies. Great shops. I’ve bought a number of things there that still had the tags in them. Why would someone pay retail from Barney’s, Saks or Bergdorf’s and not wear what they bought? Not my problem. Other than the small supply of truly new, they had samples and clothes used in photoshoots or shows. Everything else is high-end and mint. They simply won’t take it otherwise. Some people refuse to wear anything that’s been worn before. That’s fine. They and their pride can go pay retail. If it’s that good of a deal, I can be bought. A mint condition $4,000 suit for $500, $400, $200? Yes, my pride and I will keep the difference (and use some of it to have it perfectly tailored). Many of these stores have different colored price-tags. The longer it’s there, the more it’s discounted. One shop I know will take 25% off after 30 days and 50% off after 60 days. Recent example: Burberry tweed sportscoat, mint, minimal tailoring needed (a significant factor of the true price)- originally marked for $110, 50% off. Score!

Thrift-shops are a crapshoot. I have to be in the mood. You truly see what the average person is wearing in these and it’s not always pretty. In higher-end consignments, virtually everything is quite wearable and good quality- it’s just a matter of fit. For thrifts, it seems as though 1 in 100 items are worth a good look. Quality? Condition? Size? Fit? Value? Often times you go and find nothing. But sometimes…  you’ll hit the sartorial value homerun. Good rule of thumb is to go in a neighborhood where people dress well. Wealthier the neighborhood, the higher-quality the clothes tend to be, simply because they can afford it. OK, good examples of the home-run. Oscar de la Renta cashmere and wool sportscoat, no signs of wear, pockets still stitched closed and minimal tailoring needed: $7.99. Ralph Lauren Purple Label grey slacks, mint condition, need to be hemmed: $4.99. Probably 5 trips over time to land those two but in 10 years I’ll still be wearing them.

This just goes to show you don’t have to have a boat-load of money to wear high-quality clothes. Sure, you don’t have the thrill of walking out with a Bergdorf’s bag but the bank-account and wardrobe will be better for it. I like doing the high-end retail or boutique thing but sometimes a little treasure-hunting and finding jewels others overlooked or were too slow to get gives a thrill to the chase. A couple of other notes. Not surprisingly, women’s clothes greatly outnumber men’s. With the economy still waiting for a full comeback, supply at consignments is higher than ever which results in higher quality and more exceptional deals. Also, it's important to know what can be tailored and what can't or would be major work. Even new, off-the-rack clothes will need tailoring of some sort for a perfect fit. Tailoring is what makes the difference, don't skimp! We are looking for good material to work with, from there it takes a professional to make it fit your unique shape and size.

Happy hunting!

The Oscars: A Brief History of Fashion Designers, Hollywood & the Red Carpet

Anne Hathaway in Armani Prive

On Sunday is the most notable awards-show of the year, the Academy Awards. For months to follow, images of stars on the red-carpet will be filling space in magazines as everyone assesses the success or failure of outfit choices. The designers behind the most glamorous looks will receive untold amounts of "free" publicity. On this night they hand out Oscars, acting and fashion both take the spotlight. It should be no surprise that the majority of fashion designers are jockying until the final moments to have their clothes on as many stars as possible. However, it hasn't always been this way.

In 1955, Christian Dior was asked to make a wedding dress for Brigitte Bardot for a movie the rising starlet was in. Perhaps typical of the culture and the time, Dior refused. To him, the aristocracy were the truly aesthetically elegant and those on the silver screen were merely cheap imitations. There was no way he would willingly allow his designs to be put on what he viewed as vulgar display.

Later in the '50's, Hubert de Givenchy and one of the most stylish icons of all-time, Audrey Hepburn, developed a strong relationship. As a result, Givenchy became synonymous with Hepburn. Who can forget the little black dresses and her iconic style in films such as Breakfast at Tiffany's?

While there were occasional relationships forged between designers and stars, for the next 30 years it was the exception, not the rule. While the French didn't hold movie-stars in such high regard, Italians understood the power of film and publicity. Italy had a thriving movie industry and a head-start on forging relationships with actors and actresses at home. With the global influence of Hollywood, the transition was more intuitive.

Not a stranger to Hollywood, most notably for dressing Richard Gere in 1980's American Gigolo, Georgio Armani opened his Beverly Hills boutique in 1988. Using the boutique as a local home-base and developing a publicity machine, he used his already strong connections with celebrities to get his designs on Hollywood's most influential stars and become the designer of choice. His success became a major component of his master marketing plan. By 1991, so many stars were wearing Armani that Woman's Wear Daily dubbed the Oscars, "The Armani Awards". The publicity that resulted was priceless advertising. By broadening and deepening his relationships with the stars, he was then able to leverage it by inviting them to shows and special events. By having such  star-studded attendees, he was guaranteed widespread media coverage.

Quickly following in Armani's footsteps was another Italian, Gianni Versace. While Armani enlisted A-list Hollywood stars, Versace's flashiest stars included Elton John, Elizabeth Hurley, Axl Rose and Tupac Shakur who mirrored his designs. Over time, a myriad of mainstream stars have been associated with the label. Gianni Versace felt that the public was tiring of unrealistic models and that those in Hollywood came across as more "real".

Jane Fonda in Gianni Versace with husband, Ted Turner 

So it was Armani and Versace who first used red-carpet star power to enhance publicity and image. Soon after the two designers had clearly made their mark, Hollywood and designers became a free-for-all. Many designers will send boxes of clothes to stars, with no obligation for them to wear them in hopes of wooing them into wearing their designs. While back in the 80's stars felt honored to be asked to wear designer's  clothes, today many stars ask for much more, including money, to wear a designer's gown or suit. The rat-race is on.

Armani was quoted as saying he was very against the idea of paying stars to wear his line. Fortunately for his great classical designs and his own star-power, Armani is still prevalent on the red-carpet as many image-conscious stars view his clothes to be a safe bet, even if they don't get paid for the privilege. So this year when viewing the stars and what they're wearing, imagine the drama and rush behind the scenes; that may be Oscar-worthy itself.

Audrey Hepburn and Hubert de Givenchy